![]() ![]() And though the Copacabana sound was never adjusted, anyone claiming to dislike "Raging Bull" because of the Cutty Sark line deserves a LaMotta-sized punch to the breadbasket. boxers blood was squirting all over the place. Martin Scorsese had a few reasons to shoot Raging Bull in black-and-white: he wanted to differentiate it from Rocky he didn’t want to feature so much blood in color he wanted the movie to reflect the period in which it took place and he thought boxing gloves photographed better in black-and-white. Scorsese finally relented, but not before threatening to take his name off the picture. NFS: You said that you were inspired to shoot black-and-white after hearing an anecdote Scorsese told about shooting color tests for Raging Bull: '. Scorsese claimed he could not hear an extra's line ordering "a Cutty Sark and water" in the Copacabana scene. After nearly a year of sound mixing, United Artists told the director they needed the prints for the film's opening the following week. The reason is that Scorcese found the special effects looking odd in color (something to do with the color of gloves, look it up on the FAQs) so he changed it. Scorsese's obsession with detail almost cost him the entire film. Kevin Hart, Alan Arkin and Jon Bernthal co-star in director Peter Segals comedy about two retired boxers who agree to one final fight. It is an exercise in using extrinsic techniques to tell a story on a psychological level. "Raging Bull" ostensibly turns the subject of boxing into the battle occurring inside one man's head. In answering that question, Scorsese decided to never leave the ring when filming the fight scenes, leaving LaMotta's experience to become the viewer's sensibility. ![]() "And what if the interpretation of the fight is subjective it's what the fighter sees or what he hears? How he perceives sound, image, physicality and everything you can think of."
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